Anime Reviews: The 5+ Second Best Anime Series

This is a follow-up to the previous “Best Anime Series” posting. I’m not implying with the title that these are somehow worse, or better, than the previous 5+, I’m just listing the anime series which have made a lasting impression since I wrote the original posting about a year ago.

1. Gosick (ゴシック,Goshikku)

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Gosick‘ is an adaptation of light novel series by Kazuki Sakuraba, the 24-episode TV anime version was being produced by Bones in 2011.

The story of ‘Gosick‘ is set into an alternate history in the year 1924, the main deviations being the fictional country of Saubure (or Sauville in some translations), sandwiched between France and Italy, and the Second World War occurring in the late 20’s. The story starts when a transfer student from Japan, Kazuya Kujo, arrives at the St. Marguerite Academy of Saubure, and meets in the library a girl, Victorique de Blois. Victorique is a small, doll-like girl with a very long flowing blonde hair; she has a very sharp tongue and a blunt, eccentric attitude, but at the same time she cares deeply for Kazuya (i.e. a perfect example of a tsundere). She is very fond of sweets and frilly dresses, and is also extremely intelligent, to the point of working as a consulting detective to her step-brother, Police Inspector Grevil de Blois.

Aoi Yūki as Victorique’s seiyū, or voice actor, does an incredible job in portraying her abrupt nature. Now that I know the episodes by heart, on re-watchings it has become very enjoyable to follow the little but important nuances she puts on her extremely professional voice acting. One memorable example: listen to the little huffs and puffs Victorique makes when he tries to open a parasol in episode 12…

The first few episodes deal a series of seemingly disconnected crime cases, which are solved by Victorique. The main storyline begins at the middle of the series, continuing to the end. So, why do I like Gosick so much? The prophecy which the Gray Wolves’ village elder told to Kazuya summarizes it neatly: “Years from now, a gale strong enough to shake the world will blow. Your bodies are light; that gale will surely separate the two of you. However, your hearts will never be apart.”

Call me a hopeless romantic, but this kind of story, and especially the ending of this particular series, gets me every time…

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The opening theme is made in a very beautiful Art Nouveau style; the same style is used in several places in the series, for example in the ‘Coco Rose’ poster. I’m very interested in and attracted to the Art Nouveau (~1895-1914) and Art Deco (~1920-1939) art movements, so naturally this caught my eye immediately.

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(OT: I wish someone would do the whole anime using that kind of drawing style; Hyakka Ryōran Samurai Girls and Chōyaku Hyakunin isshu: Uta Koi are quite close, but not enough…)

Concerning the ‘alternate history’ setting, there was one thing which caught my eye. I don’t know whether it is a hilarious slip-up or an intentional poke to the car enthusiasts: In the last episode there’s a car parked in front of the police station – I think it’s meant to be Jacqueline’s car – and the scene is set to happen in 1929. But the car in question is a 1961-or-newer Citroën 2CV… I’m first to admit that the 2CV looked quite old-fashioned even when new, but here it still feels misplaced…

2. Hyouka (氷菓,Hyōka)

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Hyouka‘ is based on a mystery novel by Honobu Yonezawa. A 22-episode anime adaptation was produced by Kyoto Animation and directed by Yasuhiro Takemoto in 2012.

Hōtarō Oreki is a rational boy who doesn’t like to do things that he considers a waste of energy. However, at the request of his older sister Tomoe he joins Kamiyama High School’s Classic Literature Club to stop it from being abolished. At the same time a beautiful girl Eru Chitanda (whose curiosity is easily aroused, but not as easily satisfied) joins the Club, too. Later, his friends Satoshi Fukube (who calls himself a ‘database’) and Mayaka Ibara (who is in love with Fuku-chan, but doesn’t get along with Hōtarō) join in. Together they began to discuss and investigate a variety of mysteries in school that only Hōtarō seems to be able to solve; including the mystery that lingered on from Eru’s childhood memory.

Quite a lot of people I know have described Hyouka as ‘dull’ and ‘too slow’. I think they all miss the point here. First, although Hyouka is often described as ‘detective story’, it actually isn’t, that’s just a side-story. Second, it is a japanese series, and the eastern people tend to like more the slower paced shows than us westerners, especially if it is a romantic / love story. And that is what Hyouka really is: a story of slowly developing respect, affection and love between Hōtarō and Eru…

Personally, I enjoy Hyouka greatly because of the slow pace. Graphically, the attention to detail is incredible in some scenes. Also, I find it easy to identify with Hōtarō, we are quite similar in character.

私、気になります Watashi, kininarimasu!” (Eru’s catchphrase: “I’m curious!”)

I hope that in retrospect the people will see Hyouka as it is: the finest show Kyoto Animation has ever produced!

3. Poyopoyo (ポヨポヨ観察日記,Poyopoyo Kansatsu Nikki)

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Poyopoyo‘ is a Japanese manga series created by Rū Tatsuki, and adapted into a 52-episode (~2:50 min each) anime TV series in 2012.

The series revolves (almost literally) around a spherical orange cat named Poyo and the Satou family (Moe, Hide and Shigeru) that has adopted him. It is a heartwarming and delightful slice-of-life series, and very well made considering the episodes are only less than 3 minutes in length.

The ‘sounds’ (I just can’t call them ‘meows’…) made by Poyo are absolutely hilarious, especially in episode 11 where he has been left outside and wants to get in…

4. Kids on the Slope (坂道のアポロン,Sakamichi no Apollon)

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Sakamichi no Apollon‘ is originally a manga series by Yuki Kodama. A 12-episode anime adaptation was made in 2012, which was directed by Shinichirō Watanabe of MAPPA/Tezuka Productions, and the series’ music was provided by the acclaimed composer Yoko Kanno.

The story is set to summer 1966, when a freshman high school student Kaoru Nishimi has moved to live with relatives in Kyūshū. He’s been a honor student who tended to keep to himself his whole life, but that starts to change when he meets Sentarō Kawabuchi, the school’s notorious bad boy. Through him, he learns the appeal of jazz and forms his first real friendships. He also meets Sentarō’s childhood friend Ritsuko Mukae, whose father owns the local record shop. Other acquaintances include Junichi “Brother Jun” Katsuragi, and Yurika Fukahori.

The series is all about finding friendship, love and music. For me, it was that last part which attracted me to the series. Also, the whole 60’s atmosphere and lifestyle in contemporary Japan is well conveyed.

5. Girls und Panzer (ガールズ&パンツァー,Gāruzu ando Pantsā)

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Girls und Panzer‘, or ‘Garupan‘ for short, is an anime TV series created by Actas. There were 12 episodes (and 2 – totally unnecessary, if you ask me – recap episodes) shown between late 2012 – early 2013.

The story takes place in a universe where girls participate in Sensha-dō (戦車道), the art of operating tanks, as a traditional martial art. Miho Nishizumi, a girl who has had a bad experience with Sensha-dō, transfers to Ōarai Girl’s High School to get away from it. However, soon after joining, the school revives Sensha-dō and Miho, being the only student with any experience in operating a tank, is ordered to take part. Despite being initially reluctant, Miho soon comes to enjoy Sensha-dō again and, joined by her new friends; Saori, Hana, Yukari and Mako, enters a national Sensha-dō championship where they face off against various other schools.

The basic idea behind this series – young schoolgirls running around in WWII-era tanks – is so ridiculously silly that I almost stopped watching it after the first episode. Fortunately, I gave it a second chance, and to my eternal delight found out that the series is actually very entertaining. The graphics is good, especially the CGI used in tanks. Nicely enough all of my favourite tanks are there: StuG III, Churchill, KV-1…

Panzer vor!

5+. Humanity Has Declined (人類は衰退しました,Jinrui wa Suitai Shimashita)

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As happened last time, I couldn’t decide which one to leave out, so here’s the runner-up:

Jinrui wa Suitai Shimashita‘, or ‘Jintai‘ for short, is a light novel series written by Romeo Tanaka. The 12-episode anime adaptation was aired in 2012, and was made by AIC A.S.T.A. studio.

The story is set in a post-apocalyptic world where the human civilization has regressed and mankind keeps decreasing in numbers. The story follows an unnamed girl (voiced by Mai Nakahara, also known as ‘Nagisa Furukawa’ in Clannad) who acts as an UN mediator between humanity and the “fairies” who are small dwarf-like creatures attracted by sweets and happy things, but also have the habit to cause trouble to her with their powers in their endless search for amusement.

This is a very entertaining and totally twisted story of the last days of human race. The main character is at the same time intelligent and cynical, the fairies are at the same time adorable and disturbing, also the episodes aren’t shown in a linear order, or maybe those are just time paradoxes created by the fairies… The graphics design of the series is very weird; the color palette uses lots of pastel colors… well, it is difficult to explain in words, just watch the series!

However, in the end I’d like to know which kind of mushrooms the design team was eating at the time…

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Figuurit osa 22: Ayu Tsukimiya (Max Factory)

Tämä on varsin vanha figuuri, vuoden 2007 lokakuussa julkaistu Max Factoryn valmistama 1/8-mittakaavainen Ayu Tsukimiya, kuvanveistäjänä Masanori Kuroda. Sain sen aikoinaan hankittua eBay’n kautta, se on samalla järjestyksessä toinen eBay’sta ostamani figuuri.

Ayu on yksi päähenkilöistä Key’n 1999 julkaisemassa ‘Kanon’-nimisessä ‘visual novelissa’. Kyoto Animation teki siitä anime-version vuonna 2006 (…ja tässä vaiheessahan kukaan ei puhu eikä edes ajattele Toei Animationin 2002 ‘versiota’, eihän?), jonka alkuteksteistä Ayun poseerausasento on peräisin. Mainituissa alkuteksteissä Ayulla on suuret, vaaleanpunaiset enkelinsiivet, jotka myös sisältyvät figuurin mukaan. En ole niitä kuitenkaan kiinnittänyt, koska 1) ne eivät todellakaan esiinny sarjassa missään muualla kuin alkuteksteissä, ja 2) ne näyttävät vähän tyhmiltä…

Ayu Tsukimiya on minulle hyvin tärkeä, sekä henkilönä että figuurina, syistä jotka olen jo aikaisemmin selittänyt. Kaikista muista figuistani voisin pakon edessä luopua, mutten tästä!

Vieläkin nousee pala kurkkuun katsellessani Kanonin lopputekstien aikana lumessa juoksevaa Ayua… Uguu~…

Ayu on varsin yksinkertainen ja pelkistetty figuuri. Sen vuoksi, tai siitä huolimatta, Max Factory on onnistunut erinomaisesti sekä kuvanveiston että maalauksen suhteen.

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Melkoisen kaunis hiusten väri, ja Ayun tavaramerkkinä oleva punainen hiuspanta.

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Varmaan historian ainoa animehahmo jolla on tumput käsissään.

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Tässä ovat ne ainoat oikeat Ayun ‘siivet’: siivillä koristeltu reppu. Alla on video Ayun ja Yuichin siivet-aiheisesta keskustelusta.

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Hyvin tarkasti toteutetut Key’n jäljittelemättömään tyyliin ylisuuret silmät.

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(Ayulla on kunniapaikka työpöydälläni, heti näytön vieressä.)


English summary: Ayu Tsukimiya made by Max Factory, 1/8 scale, released in October 2007.

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Vuosipäivä / Anniversary

Joo tota, se on sitten tasan vuosi kulunut ensimmäisestä postauksestani tähän blogiin. Kylläpä aika rientää…

Kiitos kun olette jaksaneet roikkua mukana!


Well, well, my first posting to this blog was made exactly a year ago. Oh how the time flies…

Thank you for staying with me!

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Figuurit osa 21: Kuroneko “Holy Angel Kamineko” (Max Factory)

Tässä sitten lisää pikku Kuronekoa: “Holy Angel Kamineko” (せいてんしかみねこ, Seitenshi Kamineko) 1/7 mittakaavassa, valmistaja Good Smile Company / Max Factory, julkaistu toukokuussa 2012. Kuvanveistäjäksi on mainittu Yoshi.

Tämä kyseinen puku on Oreimo‘n light novel-sarjan 8’nnesta osasta, puku jonka Kuroneko, oikealta nimeltään Ruri Gokō, valitsi ensimmäisille treffeilleen… Olisipa kaikilla tytöillä yhtä hienostunut maku…

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Työn jälki on hyvin kaunista ja yksityiskohtaista, kuten tavallista Max Factorylle. Pinkkiä röyhelöä ja nauhaa riittää.

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Olenko tullut koskaan maininneeksi että olen lääpälläni Gothic Lolita ym. sukulaistyyleihin…?

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Tiedoksi: Kuronekolta saa myös hameen poistettua, mutta ei siitä niin suurta silmäniloa ole, on muistettava että Kuroneko on nuori ja vielä kehittymätön tyttö.

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Eriväriset piilolinssit kuuluvat tietysti asiaan.

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Sei Ten Shi Kami Neko, lukee jalustassa.

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Yhteenvetona voisin sanoa tämän olevan erittäin hyvälaatuinen ja poikkeuksellisen kaunis (sanan täydessä merkityksessä) figuuri.


English summary: Kuroneko “Holy Angel Kamineko” made by Max Factory, 1/7 scale, released in May 2012

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Figuurit osa 20: Kirino Kousaka & Kuroneko (figma / GSC)

Ore no Imōto ga Konna ni Kawaii Wake ga Nai (俺の妹がこんなに可愛いわけがない), tai lyhyesti Oreimo, suomeksi suurinpiirtein “Pikkusiskoni ei voi olla noin söpö”, on varsin turha sarja. Se heittelee piikkejä otakuiden elämästä yleensä, ja juonellisesti käsittelee kertoja-minän, Kyosuke Kousakan, pikkusiskon Kirinon epätoivoista tasapainoilua normaalin koulutytön elämän ja valokuvamallina olemisen, ja toisaalta innokkaan piilo-otaku’uden välillä. Kirino on pikkusiskona kylläkin söpö, mutta perusärsyttävä tsundere.

Sarjan pelastaja on ehkä yksi kiinnostavimmista sivuhahmoista ikinä, Ruri Gokō, tai paremmin nimellä Kuroneko, “Musta Kissa”, tunnettu jatkuvasti suosikkihahmoaan cosplayaava Kirinon sydänystävä. Molempien ollessa tsundere-luonteisia syntyy arvon neitien välille välillä melkoista sanaharkkaa…

Tulin aikoinaan ostaneeksi molemmat figmat, Kirino numero 99 ja Kuroneko numero 101, yhtä aikaa Hobby Searchista. Molemmat ovat Masaki Asai / Max Factory käsialaa.

“Jäkäti jäkäti jäk…”
“Naama kiinni, minä juon nyt TEETÄ!”
Hyvin ilmeikkäät kasvot molemmilla…

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Kirino on niin tsundere, niin tsundere että…

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Kuroneko on figmaksi hyvin kiinnostava: varsin harvoin figmoissa on mahdollisuus saada hahmo istumaan, tässä se on toteutettu erillisellä istuma-asentoisella alaosalla.

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Tuoli ja laukku sopivat erittäin hyvin Kuronekon tyyliin.

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Kahvikuppikin (tai teekuppi) on hyvin aidon näköinen.

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Kaiken kaikkiaan ehkä hieman normaalitason perusfigmoja kiinnostavampi parivaljakko.

Oreimon animeversion teki studio nimeltä AIC Build, sama studio joka myöhemmin teki Boku wa Tomodachi ga Sukunain, tai lyhyemmin Haganain. Nayttää siltä ettei studio pystynyt olemaan lisäämättä sisäpiirin vitsejä jälkimmäiseen; tässä on kuvakaappaus eräästä Haganain jaksosta:

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Siinähän on koko Oreimon porukka menossa Comicetiin…


English summary: Kirino Kousaka (figma #99) and Kuroneko (figma #101) by GSC / Max Factory

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